![]() ![]() To help you tap into your artistic talent and unleash your creative side, we spoke to three artists - Kerry Harding, Ges Wilson and Liz Hough - who tutor at the St Ives School of Painting, to find out how they respond to the landscape to create beautiful art. It's so beautiful that even the least artistic among us can feel inspired to pick up a paint brush and attempt to capture the gorgeous visions on canvas. We are truly lucky in Britain to have such beautiful countryside that varies dramatically from rugged mountains and sweeping valleys to romantic forests and stunning coastlines. Discover how to get inspired by the beautiful landscapes around you to produce professional results.Find out how to paint landscapes using the recommended materials and techniques.Landscape artists reveal their top tips on how to paint a landscape painting for beginners.Thus, the ultimate inspiration for the landscape painter's natural forms lay not necessarily in an artist's personal experience with rural scenery but in the history of landscape painting itself. These talented amateurs further transformed the genre by producing landscapes aimed at expressing their own artistic visions.Īfter the Song dynasty, painters began to adopt and reinterpret the styles and tropes of earlier artists to the extent that landscape painting in China became largely an artistic dialogue with past masters. The dynasty also saw the rise of painters drawn from the new class of scholar-officials. By the Northern Song dynasty (960- 1127), court painters were producing monumental landscapes whose imposing mountains and intricately arranged streams and trees came to be viewed as visual metaphors for the well-ordered state. ![]() Painters responded by creating images that reflect the idealized retreats envisioned by their patrons. ![]() As the dynasty crumbled, elites yearned to withdraw to the bucolic setting of their country estates. Landscape emerged as an independent genre in Chinese painting during the tumultuous later years of the Tang dynasty (618-906). As the scene continues upward (in a hanging scroll) or leftward (in a handscroll), both perspective and scale may change, and the viewer is taken on a journey through mountain and water, time and space. A point of entry into the landscape was provided, often by means of a path or a sliver of land in the foreground. Landscape paintings in China often were meant to invite the viewer to mentally travel through the scene. Beloved scenic locations, such as that depicted in The Hozu River, seen to your left, were also popular subjects for landscape painters-and remain so to the present day. Often the passing of spring to summer or autumn to winter was depicted within a single image or across a series of screens. Japanese painters working in both landscape traditions were inspired by the distinctive seasons of their homeland. The latter technique is seen in the pair of screens on display, Tigers and Bamboo, in which majestic tigers emerge from a bamboo grove in an atmospheric haze that dazzles and flickers against a gold ground. More ornamental than topographical, these paintings often used thick layers of paint or gold leaf. The other landscape tradition in Japan focused on brilliantly colored scenes quite different from contemporary Chinese works. Built on a Chinese tradition, these images nonetheless feature numerous formal innovations, including dramatically pruned pine trees and thick, swirling mists. One followed the example of the mostly monochromatic landscapes of China's Song dynasty (960-1279). Two distinct strains of landscape painting developed in Japan by the fourteenth century. In both languages, the genre is called "mountain and water" (Japanese: sansui, Chinese: shanshui 山水, evoking the key components of depictions of nature in East Asian painting. Although the word "landscape" best captures the subject matter of the works on view, no such word existed in traditional Japanese or Chinese discourse. This two-part installation highlighting Japan and China focuses on landscape painting, one of the most important art forms of East Asia. ![]()
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